… the Journal Star has printed what is apparently it’s very first article the fact.
Now, this article isn’t on the front page, or course. It’s a Gary Panetta column, on the inside Arts section. The headline above the article doesn’t mention the the words “Nazi” or “Peoria Civic Center,” just something bland about art and politics. And it isn’t until the eighth sentence until the subject is actually broached.
In Journalism 101, that’s called that burying the lede.
The result is that while the Journal Star can now finally say it’s addressed the whole issue of the Peoria Civic Center designer being a Nazi sympathizer issue, it did so in a way that probably left most readers still completely unaware of the fact. Nice trick. It’s just a coincidence, of course, that this helps the paper’s editorial board argue in favor of preserving Johnson’s designs when people are not be aware he was Nazi sympathizer.
The article is fairly offensive, too. Panetta mentions the irony of the fact that avant guard artists like architect Philip Johnson were among people who suffered under Hitler, although Leni Riefenstahl did just fine under Hitler. But that’s a minor point to the article, which is mostly devoted to excusing and apologizing for Johnson’s efforts on behalf of Der Fuhrer.
After all, Panetta asks, weren’t the 1930s a time when art was all about elitism? Funny, my understanding of the 1930s art scene was that it tended to express sympathy with the common man. Except in Germany, where art was all about glorifying Hitler and in Russia where art was about glorifying the State and the Party.
And besides, Panetta writes, the Nazis were all dramatic and expressive with the torchlight rallies and parades, which is bound to attract artists like Johnson. So, Panetta says, you can understand Johnson being attracted to Hitler, book burnings aside
Panetta doesn’t address the fact that during the 1930s, Hitler was quite open about his hatred of Jews and the superiority of the German race, and that he was in the process of sending his troops to burn and rape their across Europe. Johnson wasn’t just a pacifist or an isolationist, like Charles Lindbergh. Johnson was a committed fascist who tried his best to bring Hitler-style government and Hitler-style beliefs about race and nationalism here to the United States.
But, it’s OK, Panetta explains, because he apologized after World War II started. Damn forward thinking of him, considering he would have arrested and jailed for the duration had he not done so.
Panetta concludes that just because the guy who designed the Peoria Civic Center was an avowed Nazi sympathizer is no reason to knock down those beautiful glass arcades. Funny thing is, the question in Peoria has never been whether to knock down the glass arcades because the guy who designed him is a Nazi sympathizer. Unless you’ve been reading Peoria Pundit, other Peoria blogs the Peoria blog who covered this first or the Washington Post, you were probably not even aware that the guy who designed the Peoria Civic Center was a Nazi sympathizer. No, instead the question has been whether to expend extra taxpayer money to maintain the arcades during upcoming renovations. It is those who demand they be preserved who have been insisting that the architectural integrity of Philip Johnson’s designs be preserved because of their historical significance. Now that Johnson has been outed locally as the Nazi sympathizer that he was, suddenly everyone wants to ignore history.
When the Peoria City Council votes on its $55 million renovation package, will anyone on the council mention Philip Johnson? If they put up a plaque to Phil Johnson, will they leave out his 10-year-long support for Hitler? Or will they ignore the real history of the man whose designs they want to preserve for history?
UPDATE: Willy Nilly takes me to task for not mentioning he had the story first.
